本作は、親子3人と娘の“彼氏たち”が織り成す1話完結型のホームコメディ。雑誌編集の仕事で出会った“彼氏たち”を次々と実家に連れて来て結婚相手として両親に紹介する主人公・矢吹なぎさを内田、頭が固く世の中の変化に疎い父・矢吹慎太郎を升毅、娘のよき理解者で美容と韓国ドラマが大好きな母・矢吹時子を美保純が演じた。

本作は、親子3人と娘の“彼氏たち”が織り成す1話完結型のホームコメディ。雑誌編集の仕事で出会った“彼氏たち”を次々と実家に連れて来て結婚相手として両親に紹介する主人公・矢吹なぎさを内田、頭が固く世の中の変化に疎い父・矢吹慎太郎を升毅、娘のよき理解者で美容と韓国ドラマが大好きな母・矢吹時子を美保純が演じた。

Мультфильм снят по рассказу Леонида Андреева «Правила добра» 　　https://m.bilibili.com/video/BV1Tt411X7MF

Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. 　　Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 　　这是一部关于穷人生存环境的纪录片。在美国这个世界上最富有的国家，有超过4千万人低于贫困线，比50年前多了两倍。一夜落魄是常有的。穷人只能依靠食品券度日。无家可归的人除了住在车里没有别的选择。在洛杉矶有太多的无家可归者，一些公益组织开始帮助他们造街边小木屋。无家可归儿童的数量也大幅上升，接近150万，这个数字是1930年代大萧条时期的3倍。这是一部关于穷人在今日美国的命运。

Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. 　　Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 　　这是一部关于穷人生存环境的纪录片。在美国这个世界上最富有的国家，有超过4千万人低于贫困线，比50年前多了两倍。一夜落魄是常有的。穷人只能依靠食品券度日。无家可归的人除了住在车里没有别的选择。在洛杉矶有太多的无家可归者，一些公益组织开始帮助他们造街边小木屋。无家可归儿童的数量也大幅上升，接近150万，这个数字是1930年代大萧条时期的3倍。这是一部关于穷人在今日美国的命运。

短片的男主角是一名强迫症患者，每天早晨起来，他以近乎变态的准则洗漱用餐。餐具、拖鞋、衣服、领带乃至药片的摆放必须极度规范，不然他绝对无法接受。整理完毕后，男人整洁一新地出门，来到一家便利店打工。作为收银员，他更为热衷的大概是整理货架。商品的标签、摆放顺序必须整齐划一，完全一致。最令他不能接受的是那些随随便便的客人。他们晃里晃荡走进门来，摸摸这，碰碰那，拿起来看看，又随意地方下，不经意间破坏了收银员的精心布置。收银员对此实在无法忍受，他跟在客人后面，以最快地速度整理被人们弄乱的商品，甚至偏执到了影响其他人挑选商品的程度。 　　然而这还不算变态，他的强迫症令你无法想象……

短片的男主角是一名强迫症患者，每天早晨起来，他以近乎变态的准则洗漱用餐。餐具、拖鞋、衣服、领带乃至药片的摆放必须极度规范，不然他绝对无法接受。整理完毕后，男人整洁一新地出门，来到一家便利店打工。作为收银员，他更为热衷的大概是整理货架。商品的标签、摆放顺序必须整齐划一，完全一致。最令他不能接受的是那些随随便便的客人。他们晃里晃荡走进门来，摸摸这，碰碰那，拿起来看看，又随意地方下，不经意间破坏了收银员的精心布置。收银员对此实在无法忍受，他跟在客人后面，以最快地速度整理被人们弄乱的商品，甚至偏执到了影响其他人挑选商品的程度。 　　然而这还不算变态，他的强迫症令你无法想象……

This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.

This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.

Maximo是一个被女主人赶出家门的堕落舞男，被迫和他疏远的妹妹以及妹妹正处在青春期的儿子住在一起，他们之间会发生怎样的故事呢？